Kay’Art revisits Dessalines’s assassination in new Cap-Haïtien play


Overview:

A newly based theater troupe in Cap-Haïtien staged an unique manufacturing that explored ignored particulars surrounding the assassination of Emperor Jean-Jacques Dessalines. Via historic interpretation, efficiency, and folklore, the group reopened a dialog in regards to the motives behind the killing of Haiti’s founding father and the gaps in Haiti’s documented historical past.

Cap-Haitien — Taking a web page from Haiti’s historic previous, the theater troupe Kay’Artwork is bringing lesser-known moments of historical past and long-ignored figures again into focus, beginning with the dying of freedom fighter and liberator Jean-Jacques Dessalines on Oct. 17, 1806, a chapter nonetheless marked by unanswered questions.

On Oct. 9, on the auditorium of Collège Notre-Dame du Cap-Haïtien, the group introduced its unique play, “Dessalines, Haine ou Ambition de pouvoir” or “Dessalines, Hatred or a Drive for Energy,” to revive these forgotten fragments of historical past. The play overseen by historians, together with Angelot Bell, is the troupe’s try to focus on particulars and views hardly ever documented in archives and represented in mainstream teachings about Jean-Jacques Dessalines’s assassination on Oct. 17, 1806.

“Dessalines is the daddy of the nation, but only a few paperwork element the circumstances of his assassination,” mentioned Kay’Artwork’s president, Chris Withersny Bell.

“Dessalines is the daddy of the nation, but only a few paperwork element the circumstances of his assassination.”

Actor Chris Withersny Bell

The play additionally explores the motivations of the generals concerned in killing the pinnacle of state, together with their inner conflicts and the political pressures of the younger republic. Some believed that troublesome selections had been essential to safe the way forward for the younger Republic, Kay’Artwork play producers say.

“The objective is to not justify [Generals] Common Alexandre Pétion, Common Henry Christophe, or others concerned, however to current the context during which their selections had been made,” Chris, additionally a member of the manufacturing group, mentioned to The Haitian Instances.

  • Actors and production team of Kay’Art behind the scene posing for a photo a few minutes before the start of the presentation.
  • Director Hed’D Benton’N Charitable thanks the audience after the closing of the play

For a number of the actors, the method highlighted how a lot of Haiti’s early historical past stays fragmented. Bernard Audigé, one of many actors, mentioned his position confronted him with the numerous gaps in Haiti’s historic narrative.

 “Taking part in Dessalines helped me notice how little we actually learn about Haiti’s historical past, and what number of omissions exist. Anybody who attended the play can see how a lot stays unsaid,” he advised The Haitian Instances.

One scene that drew robust reactions was the portrayal of Dessalines’s relationship with Euphémie Daguilh, depicted because the mom of his final youngster. The play presents one historic interpretation suggesting she could have collaborated with Common Yayou within the plot that led to the ambush of Dessalines at Pont-Rouge, Port-au-Prince — a second the troupe says illustrates what number of competing narratives nonetheless exist.

Taking part in Dessalines helped me notice how little we actually learn about Haiti’s historical past.”

Actor Dave Barnard Audigé

The manufacturing additionally integrated folkloric dance sequences, connecting the efficiency to Haiti’s cultural traditions. Among the many most talked-about scenes was the depiction of Dessalines’s closing moments at Pont-Rouge. A spectator described the staging as symbolizing “the presence of spirits guiding Dessalines — and the second he appeared able to half with them.”

Kay’Artwork was based in November 2023, and troupe members say their mission is to revive theater within the north whereas bringing lesser-known components of Haitian historical past to youthful audiences. Their newest play, they are saying, is barely the start.


Under are the images from Kay’Artwork play:

A scene about a meeting between Emperor Jean-Jacques Dessalines and several Generals. From left to right General Alexandre Pétion, General Louis Félix Boisrond Tonnerre, Yayou, and Étienne Élie Gérin. They were discussing placing Dessalines at the head of power and appointing him as Governor for life.
A scene a couple of assembly between Emperor Jean-Jacques Dessalines and several other Generals. From left to proper Common Alexandre Pétion, Common Louis Félix Boisrond Tonnerre, Yayou, and Étienne Élie Gérin. They had been discussing putting Dessalines on the head of energy and appointing him as Governor for all times.
A scene describing the moment Dessalines is chosen as Governor for life and Generals Étienne Élie Gérin. General Alexandre Pétion, and General Louis Félix Boisrond Tonnerre drank in his honor.
A scene describing the second Dessalines is chosen as Governor for all times and Generals Étienne Élie Gérin. Common Alexandre Pétion, and Common Louis Félix Boisrond Tonnerre drank in his honor.
Jean Jacques Dessalines’ wife, Marie-Claire Heureuse Félicité Bonheur — played by Erica Arélus — at the banquet celebrating Emperor Dessalines’ coronation.
Jean-Jacques Dessalines’ spouse, Marie-Claire Heureuse Félicité Bonheur — performed by Erica Arélus — on the banquet celebrating Emperor Dessalines’ coronation.
A scene of the banquet celebrating Emperor Dessalines’ coronation. From left to right, a woman emissary in white stands next to the historical character known as General Yayou, Marie-Claire Heureuse Félicité Bonheur — played by Erica Arélus — as Jean Jacques Dessalines’ wife, and Emperor Jean-Jacques Dessalines.
A scene of the banquet celebrating Emperor Dessalines’ coronation. From left to proper, a girl emissary in white stands subsequent to the historic character often called Common Yayou, Marie-Claire Heureuse Félicité Bonheur — performed by Erica Arélus — as Jean-Jacques Dessalines’ spouse, and Emperor Jean-Jacques Dessalines.
A scene in the play showing Jean-Jacques Dessalines shares his thoughts with General Charlotin Marcadieu about what’s happening in the country at Euphémie’s house.
A scene within the play displaying Jean-Jacques Dessalines shares his ideas with Common Charlotin Marcadieu about what’s taking place within the nation at Euphémie’s home.
In this scene Jean Jeacques Dessalines is seen giving his mistress, Euphémie Daguilh, the box containing ‘his secret’. Dessalines is telling Euphémie Daguilh why he cannot die.
On this scene Jean-Jacques Dessalines is seen giving his mistress, Euphémie Daguilh, the field containing ‘his secret’. Dessalines is telling Euphémie Daguilh why he can’t die.
A scene in which Yayou went to Euphémie Daguilh’s house to know the secret that Jean Jacques Dessalines had entrusted to her. According to the myths, he swapped the box containing Dessalines’ soul for another.
A scene during which Yayou went to Euphémie Daguilh’s home to know the key that Jean-Jacques Dessalines had entrusted to her. In line with the myths, he swapped the field containing Dessalines’ soul for an additional.
The three actors playing Generals Louis Félix Boisrond Tonnerre, General Charlotin Marcadieu, and Jean-Jacques Dessalines arrived at Pont Rouge, where Dessalines was later killed.
The three actors enjoying Generals Louis Félix Boisrond Tonnerre, Common Charlotin Marcadieu, and Jean-Jacques Dessalines arrived at Pont Rouge, the place Dessalines was later killed.
Défilé La folle or Défilé the madwoman weeping over Dessalines’ lifeless body after his assassination at Pont Rouge.
Défilé La folle or Défilé the madwoman weeping over Dessalines’ lifeless physique after his assassination at Pont Rouge.
A view of the guests who attended the play.
A view of the company who attended the play.



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